Tastes for blogs and publications.

Grid discipline, restrained palette, precision

Two-ink overprint, grain, slightly off-register

Cut paper, tape and stickers on warm card stock

Scholarly serif, footnotes, numbered figures

Huge words cut on the beat

Founder stories on warm paper

Poster cards with one cobalt block

Typeset quotes on cream paper

Layered paper illustrations

A deck that reads like a magazine

Announcements cut like a newscast

Engraved botanical plates

Your news as page one

Films as magazine spreads

Images as engraved stamps

Strips with speech balloons

Typed index cards

Calm document and wiki apps

Cut-and-paste photocopy slides

Editorial travel with drawn routes

Movie-trailer title cards

Wax-crayon learning UI — soft primaries, big targets, gold stars that are earned

Typed sheets, ruled index cards, red-pencil corrections and rubber-stamp statuses

Typewriter films: lines strike on, the carriage returns, tape fixes the typo

Green-bar ledger cards with tabular figures, red negatives and a double-ruled total

Dark gothic with manners: blackletter titles, red initials and a calm book face

Wood type pressed into cotton stock, two spot inks, printer's rules and crop marks

A print shop film: wood type locks up, the platen presses, two inks bite in

Gothic gig-poster cards with one rubricated red initial

Cotton-paper slides in two spot inks, wood type, printer's ornaments and crop marks

Flat blocks of Prussian blue and vermilion on washi, every shape held by a sumi keyline

Red, black and buff paper, one hard diagonal, a great red circle and towering condensed caps

Pure black on white, every tone dithered, every rule one pixel

An avant-garde poster film: red and black bars slam in on hard diagonals, words swing in

Avant-garde poster cards in paper, black and red, cut on hard diagonals

Carved black linework and one vermilion ink on rag paper, pulled by hand

A pieced quilt of prints and solids, stitched and bound, with every word on a solid patch

Catalog cards on oak, a green lamp, brass rails and quiet ruled lists

Library slides on an oak table: catalogue cards, call numbers and one lamp green

Square sleeves in one bold block colour, a drawn disc peeking out and side A/B lists

A watercolour film: washes bloom wet-on-wet, dry to hard edges, words sit on clean paper

Square-sleeve release cards: bold colour blocks, drawn rings and the vinyl sliding out

Marble and terracotta cards: Roman capitals, a running meander and one black-figure vessel

Field-journal cards: khaki canvas, a specimen tag on a string, compass and date stamp

Marble and terracotta slides with Greek-key friezes, fluted rules and carved capitals

The hand bindery: marbled endpapers, calf lettered in gilt, raised bands

The home-made cassette: J-cards, ruled track lists and one red marker

A marbling film: ink drops spread, a comb pulls them into feathers, titles sit on bound books

A mixtape film: a marker scribbles the label, the tape clicks in, the J-card unfolds

Sun-print cards: brushed Prussian blue, white fern silhouettes and a light serif

Cassette J-card cards: a drawn tape, a marker title, a ruled track list and one red stroke

Bound slides: a half-leather cover, marbled endpapers, gilt rules and Caslon claims

A red masthead, a splash headline, halftone dots and one yellow EXCLUSIVE flash

Presses grind to a stop, a front page slams in, halftone dots and one EXCLUSIVE burst

A darkroom film: a print develops under red light, a grease pencil rings the keeper

Stencil spray on concrete: a pink sprayed field with drips, a paste-up and tape

Safelight-red cards: a contact sheet of drawn frames and one grease-pencil keeper

Front-page slides: a red masthead box, splash headlines, halftone cuts, one flash

Chevron envelopes, invented stamps and postmarks, onionskin paper and a pen-blue hand

Framed arcana cards, roman numerals and garnet banners, sun, moon and stars in gold line

Greetings-from big letters full of scenery, deckled cards on linen, stamps and postmarks

Paper planes that stand up from the fold, pull-tabs and bright card stock

An airmail film: the envelope slides in, a stamp lands, a postmark cancels it

A tarot film: cards deal and turn over, a gold celestial wheel turns at midnight

Letter slides: chevron borders, invented stamps and postmarks, onionskin blue, a pen hand

Reading slides: tall tarot cards, roman arcana, gold banners, midnight and gold

Two-colour printing, numbered figures, labelled diagrams and exercise boxes

Abyssal depth bands, glowing deep-sea silhouettes, marine snow and a depth gauge

Two-colour textbook pages: a labelled diagram, a Fig. caption, a boxed exercise

Two-colour textbook slides: numbered figures, labelled diagrams, worked examples

A red initial is rubricated stroke by stroke, blackletter stamps, a wax seal presses

An open pop-up book: bright paper planes standing up from the fold, and a pull-tab

A real position in ivory and ebony, drawn pieces and the last move in green

Pure black and white: dithered tones, a bitmap display plate, 1px rules, pixel icons

Wood type pressed into cotton stock, two spot inks, crop marks and printer's flowers

A cork board with a pinned index card, sticky notes and red string between pins

Twenty type-only title moves — letters fall, words stretch, titles split, then hold