Tastes for online stores.

Layered translucency, gentle gradients

Tasteful, versatile default upgrade

Rounded, saturated, bouncy motion

Muted palette, hairlines, wide-tracked serifs

Gold on deep green, stepped ornament, symmetry

Cut paper, tape and stickers on warm card stock

Leaf greens, a warm serif, soft organic shapes

Linen and clay neutrals, calm space, quiet craft

Black, white and grey only, inverse blocks, big grotesk

Black ground, Didone headlines, editorial photography

Steel grey, safety orange, stencil labels, heavy frames

Terracotta and sea blue, arches, sun-washed warmth

Volt on black, condensed italics, diagonal speed

Chrome, iridescence and bubble shapes

Springy stickers and bright fields

Apps on devices in a studio

Slow black-and-ivory brand films

Vertical shorts with giant captions

Brutalist protest posters

Y2K chrome and bubble UI

A thermal receipt prints the story

Small-batch product labels

Y2K chrome lettering cards

Your numbers on a thermal slip

Black, ivory and gold brand books

Y2K chrome pitch decks

Dark luxury with one thread of gold

Hardware reveals on a turntable

Technical data-sheet cards

A die-cut sticker sheet

Bold retail grids and price tags

Black, cream and brass arches

1970s warmth and stripe bands

Lineup posters and wristbands

Kraft, plywood and shop drawings

Editorial travel with drawn routes

A flip clock counting to launch

1970s stripes and wavy type

Art Deco poster cards

1970s stripe cards

Cute cards with a mascot

Thermal slips on a warm counter — mono line items, fat keys, one yellow total

Plaster, speckled stone and arches, with terracotta for every action

Material-board cards: speckled terrazzo arches on warm plaster

Dark gothic with manners: blackletter titles, red initials and a calm book face

Mid-2000s optimism: glossy sky blue, grass green, bubbles and glass you can read

Jewel panes in thick lead on dark stone, with every word on a calm panel

Acid lime on black stock, stretched wide type, wire meshes and stickers slapped on

Wood type pressed into cotton stock, two spot inks, printer's rules and crop marks

Mid-century cream, tomato, teal and mustard, script headlines, starbursts and orbits

A 1950s atomic-age ad reel: spinning starbursts, boomerangs and a TV set

A print shop film: wood type locks up, the platen presses, two inks bite in

1950s atomic-age cards: starbursts, boomerangs and one tomato word

Rave-flyer cards: acid lime on black, stretched outlined type and wire meshes

Cotton-paper slides in two spot inks, wood type, printer's ornaments and crop marks

1950s atomic-age slides: mustard starbursts, teal orbits, a tomato word

Flat blocks of Prussian blue and vermilion on washi, every shape held by a sumi keyline

Whiplash stems in a bronze line, arched panels and a petal halo on sage, plum and cream

Cottage-kitchen cream, tomato and sage, gingham cloths, scalloped hems and stitched cards

Navy and signal red on sailcloth, chart neat-lines, rope, compass roses and flag blocks

Teak after dark, flame and lagoon, bamboo frames, carved menu cards and drawn palms

Packing and shipping as an interface: kraft board, label stock, tape and stamps

A woodblock film: colour blocks slide onto washi one at a time and a red seal signs it

An Art Nouveau film: whiplash vines grow, arched panels open, a halo frames the name

Cottage-kitchen cards: tomato gingham, a scalloped cream card and a butter jam label

Shipping-label cards on kraft board: stencil type, packing tape and one orange stamp

Arched-panel slides with whiplash vines, botanical borders and sage, ochre and plum on cream

Parcel slides: shipping labels on kraft board, tape, stamps and one safety orange

Carved black linework and one vermilion ink on rag paper, pulled by hand

A pieced quilt of prints and solids, stitched and bound, with every word on a solid patch

Black and cinnabar lacquer with fine gold line clouds, waves and a quiet Mincho serif

Glazed star tilework, horseshoe arches and calm plaster for riads, studios and travel

Sand, adobe blocks and drawn mesas at sunrise for outdoor, travel and solar brands

Painted tulips, facing birds and a heart vase on cream, in four flat paints

A linocut film: lines are cut gouge by gouge, a brayer rolls green and titles lift off

A lacquerware film: gold lines draw on cinnabar, light sweeps the lid, the box opens

A quilt film: fabric patches stitch on, a running stitch sews each claim, binding wraps it

Relief-print cards: a carved black block, one vermilion ink and uneven, speckled solids

Glazed star tiles to every edge and one arched plaster niche that holds the words

Desert poster cards: layered mesas, a low terracotta sun and a sturdy slab headline

Painted folk cards: mirrored tulips, facing birds and heart corners on buttermilk cream

Black lacquer trays, cinnabar lids and fine gold-line clouds, water and fret

Big-top stripes, marquee bulbs and ticket stubs for events, fairs and box offices

Khaki canvas, specimen tags and a compass in line for outdoor, travel and field teams

Double-ruled cream labels and amber glass for skincare, tea, candle and herbal shops

Square sleeves in one bold block colour, a drawn disc peeking out and side A/B lists

Solder-mask green, copper traces routed at 45° and a designator on every part

Swelling checkers, warped stripes and one cobalt disc on a gallery-white wall

Black-figure vessels on terracotta, Greek key borders and carved Roman capitals

A vinyl film: the sleeve slides out, the record spins up, the tonearm drops

Paper labels on amber glass: double rules, small caps, a specimen name and a batch band

Moiré rings, warped stripes and swelling checks with one vermilion shape and a solid band

Field-journal slides: specimen tags, a drawn route map and one red date stamp

Label slides: cream labels with double rules on amber and green bottle glass

The hand bindery: marbled endpapers, calf lettered in gilt, raised bands

The cross-stitch sampler: counted alphabets, borders and motifs on linen

The home-made cassette: J-cards, ruled track lists and one red marker

Printed ephemera: playbill type, engraved frames, sepia ink and one oxblood band

Breeze-block screens, a pink door, an aqua pool and wide motel-sign capitals

Guilloché rosettes, woven line borders and numerals in oval cartouches

A marbling film: ink drops spread, a comb pulls them into feathers, titles sit on bound books

An engraving film: guilloché rosettes spin up line by line, numbers settle in cartouches

Cross-stitch sampler cards: a worked border, a stitched alphabet and two threads on linen

1960s travel-poster cards: a climbing jet, flat sky and clouds, and a boarding-pass stub

Trade-card ephemera: an engraved border, sepia rays, an oxblood seal and a fat-face title

Desert-modern slides: pink stucco, flat roofs, breeze blocks and a pool along the foot

A ski-resort poster: snow peaks, pine forests, a red chalet and piste-marker status

Gold-leaf letters with drop shades on green glass, one script line and a pinstripe

A 1930s cartoon title card, white gloves and a jar that hops on the beat

Stencils sprayed on concrete, posters pasted over posters, two cans of paint

The photo darkroom: a safelight glow, contact sheets, grease-pencil picks and four trays

Speckled stoneware, glaze drips that pool, celadon and tenmoku, a warm Gloock serif

An enamel script sign, a letter-board menu, red vinyl and a checkerboard floor

A brush paints gold-leaf capitals on dark glass, drop shades grow, pinstripes curl in

A street-art film: stencils sprayed and lifted, drips run, posters pasted in layers

Gold-leaf letters with a red shade on dark window glass, a brush script and pinstripes

Studio-pottery cards: speckled stoneware, celadon drips that pool and a tenmoku test tile

1950s diner cards: red vinyl, a letter-board headline, an enamel sign, coffee and pie

1930s cartoon slides: bouncy outlined objects, red rays, an iris and a film-grain gate

Studio-pottery slides: speckled stoneware, glaze drips, charts as dipped test tiles

1950s diner slides: checkerboard, red vinyl, letter-board lists, a script enamel sign

Velvet drapes in a gilded proscenium, one spotlight, playbill type and seat maps

Indigo patches, cream running stitches, asanoha and seigaiha, and one persimmon thread

Twill and herringbone woven in SVG, yarn-dyed bands, selvedges and a crisp Syne

White iron glazing bars, arched panes, palms behind glass and terracotta pots

A striped sun, a curling wave, board-shaped cards and planks in faded teal and orange

Framed arcana cards, roman numerals and garnet banners, sun, moon and stars in gold line

Greetings-from big letters full of scenery, deckled cards on linen, stamps and postmarks

A sashiko film: white stitches sew patterns on indigo, a patch is stitched over a tear

A weaving film: the shuttle passes and each line is woven in, row by row

A glasshouse film: iron bars draw the house, sun crosses the panes, leaves unfurl

A 1960s surf film: the sun rises, a wave curls and breaks, a board slides through

Indigo cloth, white running-stitch patterns, one hemmed patch and a single red thread

Woven bands of twill and herringbone, a selvedge, a knotted fringe and a crisp grotesque

1960s surf posters: lettered headlines with a hard drop, a quiver of painted longboards

Midnight-and-gold arcana cards: a numeral, a drawn sun and moon, a title banner

Greetings-from postcards: block letters full of scenery, a brush script, a deckled edge

Charcoal ceramic shards joined by gold seams, a quiet serif and generous space

Honeycomb hex grids, honey amber on beeswax cream, drawn bees and frames, a warm serif

Tooled tan leather, oxblood straps, saddle stitches and brass rivets drawn in SVG

A starry sky, a big cream screen, cars in rows and a marquee arrow sign drawn in SVG

Pointed-pen script on ruled guide lines, ink blue on cream laid paper, one wax seal

A beekeeping film: comb fills hex by hex with amber, a bee flies flower to hive

A drive-in film: dusk turns to night, cars roll in, the big screen flickers on

One mended vessel on charcoal: gold seams in bone glaze, a quiet serif, room to breathe

Beeswax cream, a drawn hive frame of amber comb, working bees and a honey hexagon tag

Tooled-leather cards: tan hide, saddle stitching, basketweave, brass rivets, oxblood

Pointed-pen script on ruled guide lines, ink blue on cream laid paper, a wax seal

Tooled-leather slides: tan and oxblood hides, saddle stitches, brass rivets and a buckle

Copperplate slides: pointed-pen script on guide lines, ink-blue on laid paper, a wax seal

Maple lanes, a rack of pins and score sheets where every frame adds up

Round machine doors, coin slots and numbered tickets in mint, butter and enamel

Mint and butter machines, a coin in the slot, a drum that tumbles, tickets that print

Mint tiles, butter machines and round doors that frame every point

A 1950s diner film: the letter board fills, coffee pours, the sign's lamp flicks on

Squiggles, zigzags and dots pop in on the beat; cards land on pastel blocks

Lines warp in, wire globes turn, lime stickers slap on — a rave flyer that moves

Star-and-cross tiles set into the wall one by one, and a horseshoe arch holds every claim

The sun rises behind the mesas, light crosses the strata and a dusty trail draws in

A flat roof line, breeze blocks sliding across pink stucco, a palm's shadow and the pool

A pop-up book that opens, stands up layer by layer and lifts every feature by its tab

Big letters that fill with the view, and a card that flips to be stamped and sent

Guide lines rule themselves, a pointed nib writes each title, a wax seal presses once

Tulips, birds and hearts paint on stroke by stroke, then unfold as their own mirror

Bamboo slides in, carving draws, a hibiscus blooms and torches sway after dark

A mint tiled wall, an enamel washer with laundry tumbling, and a butter ticket

Wood type pressed into cotton stock, two spot inks, crop marks and printer's flowers

Black and cinnabar lacquer, fine gold-line clouds and waves, a quiet Mincho serif

Twenty closing beats that land a name, one action and an address — then hold still